A few examples of appraisal values for
GINNY VOGUE

• Vintage Vogue Ginny Doll, all hard
  Vintage Vogue Ginny Doll, all hard plastic, marked on her back, brunette wig and blue sleepy eyes, tagged outfit, she is a walker, overall good condition Estimate $50-100
• Vogue Ginny doll, all hard plastic,
  Vogue Ginny doll, all hard plastic, glued on brunette wig and blue sleepy eyes that like to stay open they need oil, strung well, bend knee, outfit is not tagged, overall good condition Estimate $50-100
• THREE VOGUE GINNY DOLLS, WITH AN
  THREE VOGUE GINNY DOLLS, WITH AN ORIGINAL BOXThree Vogue Ginny dolls, with an original box, to include miscellaneous clothing and booklet, together with a McCall doll, homemade clothes, etc. Condition: As found.
• Vintage Vogue Ginny Doll, all original,
  Vintage Vogue Ginny Doll, all original, brown marks on the face, blue sleepy eyes open and close, all hard plastic, strung well, marked on the back, straight leg, she is a walker works well, tagged outfit in great condition, overall good condition Estimate $75-125
• Brunette Vogue Ginny Doll, bend
  Brunette Vogue Ginny Doll, bend leg, walker, works ok, brown sleepy eyes that like to stay open, hard plastic, small scuff on right cheek, clothing has tears Estimate $25-50
• LOT OF FOUR MID 20th CENTURY AMER
  LOT OF FOUR MID 20th CENTURY AMER DOLLS Included are Vogue ''Ginny'' with original tagged outfit and blue eyes molded lash sleep eyed ''Ginny'' walker with tagged outfit boxed ''Ginny'' with pants and shoes only and brown hair molded back and a ''Muffie'' in original box by Nancy Ann (arms present but detached) a second brunette Ginny Walker undressed. Also included is a large lot of labeled Vogue Jill clothing & shoes. 7'' to 9''. (VG Cond.)
• Vintage Vogue Ginny Doll, all original,
  Vintage Vogue Ginny Doll, all original, blue sleepy eyes that like to stay open they need some oil, all hard plastic, strung well, marked on the back, straight leg, she is a walker works well, tagged outfit in great condition, overall good condition Estimate $75-125
• Vintage Vogue Ginny Doll, all original,
  Vintage Vogue Ginny Doll, all original, blue sleepy eyes that like to stay open they need some oil, all hard plastic, strung well, marked on the back, straight leg, she is a walker works well, tagged outfit in great condition, overall good condition Estimate $75-125
• 8" Vogue Ginny painted lash doll,
  8" Vogue Ginny painted lash doll, Carrot wig, blue sleepy eyes that like to stay open, rosy face, strung well, tagged outfit, overall good condition Estimate $25-75
• Vintage Vogue Ginny painted lash
  Vintage Vogue Ginny painted lash Doll, all original, painted lash, brown sleepy eyes like to stay open, all hard plastic, strung well, marked on the back, straight leg, she is a walker works well, tagged outfit in great condition, overall good condition Estimate $75-150
• Brunette Vogue Ginny Doll, bend
  Brunette Vogue Ginny Doll, bend leg, walker, works ok, blue sleepy eyes, hard plastic, tagged outfit, needs slight cleaning Estimate $25-50
• 7" Voque Ginny Doll, hard plastic,
  7" Voque Ginny Doll, hard plastic, brown hair, brown eyes like to stay open, pink staining on fingers, strung well, all original Estimate $100-150
• 7" Voque Ginny Doll, hard plastic,
  7" Voque Ginny Doll, hard plastic, blonde hair, brown eyes like to stay open, strung well, all original Estimate $100-150
• 8" Vogue Ginny Cowgirl Doll, hard
  8" Vogue Ginny Cowgirl Doll, hard plastic, brunette, blue sleepy eyes that like to stay open, tagged full cowgirl outfit, bends at the knees, walker works ok, overall good condition Estimate $25-50
• NINE HARD PLASTIC VOGUE DOLLSNine
  NINE HARD PLASTIC VOGUE DOLLSNine hard plastic Vogue dolls, in original outfits, to include Ginny, Jill, Toodles, etc., together with bisque head and shoulder doll with molded hair, 12" h. Competitive in-house shipping is available for this lot. Condition: Vogue - good condition. Bisque - loss to one foot.
• 7" Voque Ginny Doll, hard plastic,
  7" Voque Ginny Doll, hard plastic, brown hair, blue eyes like to stay open, strung well, all original Estimate $100-150
• Madame Alexander Ginny boy & girl
  Madame Alexander Ginny boy & girl doll set, walkers, in good condition, hard plastic, green sleepy eyes open and close, blonde original wigs, vogue clothing jackets are a little dirty Estimate $100-200
• Coalport Figure Ladies of Fashion
  Coalport Figure Ladies of Fashion Gina and Fashion (2)
• VINTAGE SILK BLEND DRESS AND JACKET
  VINTAGE SILK BLEND DRESS AND JACKET 1960s; Vanny of Hong Kong; Size 12; retailed Elise Goupil Princeton NJ. Olive green shift dress; the coat with matching lining black exterior with embroidered dragon motif
• An Illustration by Georges Lepape
  An Illustration by Georges Lepape for Vogue, October 1924, depicting a Child's dress inspired by the young Spanish Infantas.
• IRVING PENN, VOGUE PORTRAIT PHOTOGRAPH
  IRVING PENN, VOGUE PORTRAIT PHOTOGRAPH Irving Penn (American, 1917-2009), possibly John Belushi, original vintage gelatin silver photograph for Vogue Magazine, studio and Conde Nast copyright stamps verso, loose and unframed, 13.25"squ (image), 17"h x 14"w (sheet)
• GINNY & TOM MARSH, AMERICAN / INDIANA
  GINNY & TOM MARSH, AMERICAN / INDIANA (1934-1991), STUDIO VASE, STONEWARE POTTERY, 11"H.Ginny & Tom Marsh, American / Indiana, (1934-1991) studio vase, stoneware pottery signed chop mark near base. Ginny Marsh is known for thrown and hand built high fire stoneware and porcelain vessels intended for domestic use and garden ornaments. Marsh completed numerous commissions for architectural installations. Marsh studied with Richard Peeler at DePauw University. She worked collaboratively with Tom Marsh, her husband, from 1968 until his death in 1991. Tom Marsh was a teaching artist in the Greater Louisville area for more than 25 years, first at Silver Creek High School in his native Indiana during the 1960's, and then as the founder of the Ceramics program at the University of Louisville's Hite Institute for Art, where he taught until his death, in 1991. It is also said, by those who loved and admired him the most, that he was demanding. Surely this is a requisite quality for any worthwhile mentor, and, from all accounts, Marsh set expectations as high for his own work as he did for anyone else, and the program he developed for U of L was unorthodox, moving beyond traditional studio parameters. Certainly experience has taught us that innovation often translates for some as ‘difficult'. Marsh was raised by missionaries, and studied painting with Mary Spencer Nay at the University of Louisville. A missionary trip took him to Mashiko, Japan, where he ended up staying for several years, studying pottery with Sakuma Totaro (1900-1976), and learning various strands of Buddhism, most notably Rinzai. Once he returned to the U.S. he eventually resettled in Borden, Indiana, living his later years in adherence to ethical and spiritual practices born of his time in Japan, building an aesthetically spare house in the secluded woods that featured multi-functional space - the bed was raised on pulleys to make room for working. stoneware pottery Dimensions: 11"H.
• (3) 1960's patterned garments to
  (3) 1960's patterned garments to include Ruth Norman for Gay Gibson floral poly minidress, Paganne by Gene Berk placement patterned long sleeve maxi dress, some spot stains, 6, and Hanae Mori Tokyo Lord & Taylor Tea House silk floral skirt and vest, spot stains, damage, some holes.
• GINNY RUFFNER, "EYE CANDY" BLOWN
  GINNY RUFFNER, "EYE CANDY" BLOWN ART GLASS, 1994 Ginny Ruffner (American/Georgia, Washington State, born 1952). "Eye Candy" -1994 from the "Patterns of Thoughts Series", fifteen blown glass orbs and fabricated metal basket. Apparently unsigned.
• GINNY HERZOG (AMERICAN) ABSTRACT
  GINNY HERZOG (AMERICAN) ABSTRACT CITYSCAPE Oil on board: 39 x 30 in. Lower right signed and dated: Ginny Herzog 99 Provenance: Washington DC Area Corporate Collection
• GINNY HERZOG (AMERICAN) ABSTRACT
  GINNY HERZOG (AMERICAN) ABSTRACT CITYSCAPE Oil on board: 39 x 30 in. Lower right signed and dated: Ginny Herzog 99 Provenance: Washington DC Area Corporate Collection
• GINNY RUFFNER(Washington/Georgia,
  GINNY RUFFNER(Washington/Georgia, born 1952) Drama of Chaos, 1989-90, apparently unsigned, glass and prismacolor pencil sculpture with tragedy and comedy masks intertwined with flowers, hands and shapes, 17 x 14 x 13 in. Provenance: Maurine Littleton Gallery, Washington, D.C., purchased in 1997 for $9,050 (accompanied by inventory document, receipt, and information on artist); Jerry and Deena Kaplan Collection of Modern Art and Crafts Condition: overall good condition, a few areas of discoloration to glass, some minor scratching, dusty
• COALPORT PORCELAIN FIGURINE, LADIES
  COALPORT PORCELAIN FIGURINE, LADIES OF FASHION JENNYGlossy porcelain figurine; Long, red, flowing dress. Jenny carries a bouquet of flowers and is dressed to impress. Modeled by Jack Glynn. Artist: Jack Glynn Issued: 20th c. Dimensions: 9"H Manufacturer: Coalport Country of Origin: England Condition: Good
• (6) VOLS., IRVING PENN, GARRY WINOGRAND
  (6) VOLS., IRVING PENN, GARRY WINOGRAND Includes: 1) Irving Penn & Issey Miyake: Visual Dialogue. Miyake Studio, 2011; 2) Irving Penn Portraits. National Portrait Gallery, London, 2010; 3) Still Life: Photographs 1938-2000. Bulfinch, 2001; 4) Irving Penn: Beyond Beauty. Smithsonian/Yale, softcover; 5) Passage. Knopf, 1991; 6) Garry Winogrand: Public Relations. Museum of modern Art, 1977; 7) Winogrand: Figments from the Real World. The Museum of Modern Art, 1988; 12.75"h x 11"w (largest)
• Seven Irene Lentz-Gibbons fashion
  Seven Irene Lentz-Gibbons fashion designs for 1940's films drawn by Virginia Fisher. The fashion prints depict vintage Irene Lentz-Gibbons dress designs for Hollywood MGM movies drawn by Virginia Fisher. All pencil signed and numbered in lower margin. Each costume is identified with names of films and actors/actresses, some with hand touching. Multiple signatures and studio executive initialing on each print. Each lithograph carries a certificate of authenticity. Property of the original owner/producer. 20" x 13 1/2". Good condition.
• IRVING PENN(American, 1917-2009) Black
  IRVING PENN(American, 1917-2009) Black and White Vogue Cover, Jean Patchett, New York, 1950, signed, titled, dated, editioned 8/34, and annotated in pencil and stamped print verso, printed in 1974, platinum palladium print, image: 16 ¼ by 13 ½ in., sheet 22 x 18-1/2 in.; matted 24 x 20 in. Literature: The Black and White Idea , Vogue, April 1, 1950, cover; Irving Penn, Moments Preserved (New York, 1960), p. 159; Patrick Devlin, Vogue Book of Fashion Photography , Simon and Schuster, New York, 1979, p. 90; John Szarkowski, Irving Penn (New York: The Museum of Modern Art, 1984), pl. 48; Alexander Liberman and Nicholas Callaway, Irving Penn, Passage, a Work Record , Alfred A. Knopf, New York, 1991, p. 100; Colin Westerbeck, ed., Irving Penn: A Career in Photography (The Art Institute of Chicago, 1997), pl. 4; Ned Rifkin, Chorus of Light: Photographs from the Sir Elton John Collection (Atlanta, 2000), p. 65; Sarah Greenough, Irving Penn: Platinum Prints (Washington, D. C.: National Gallery of Art, 2005), p. 11; Norberto Angeletti and Alberto Oliva, In Vogue: The Illustrated History of the World's Most Famous Fashion Magazine; (New York, 2012), p. 129; cf. Maria Morris Hambourg and Jeff Rosenheim, Irving Penn: Centennial (New York: Metropolitan Museum of Art, 2017), pl. 38. Condition: print in excellent condition, no visible flaws of any kind, mounted to mat backing with archival corners; mat in good condition
• Seven Irene Lentz-Gibbons fashion
  Seven Irene Lentz-Gibbons fashion designs for 1940's films drawn by Virginia Fisher. The fashion prints depict vintage Irene Lentz-Gibbons dress designs for Hollywood MGM movies drawn by Virginia Fisher. All pencil signed and numbered in lower margin. Each costume is identified with names of films and actors/actresses, some with hand touching. Multiple signatures and studio executive initialing on each print. Each lithograph carries a certificate of authenticity. Property of the original owner/producer. 20" x 13 1/2". Good condition.
• GINNY & TOM MARSH, AMERICAN / INDIANA
  GINNY & TOM MARSH, AMERICAN / INDIANA (1934-1991), LARGE STUDIO VASE, STONEWARE POTTERY, 15"H.Ginny & Tom Marsh, American / Indiana, (1934-1991) LARGE studio vase, stoneware pottery Signed chop mark near base. Ginny Marsh is known for thrown and hand built high fire stoneware and porcelain vessels intended for domestic use and garden ornaments. Marsh completed numerous commissions for architectural installations. Marsh studied with Richard Peeler at DePauw University. She worked collaboratively with Tom Marsh, her husband, from 1968 until his death in 1991. Tom Marsh was a teaching artist in the Greater Louisville area for more than 25 years, first at Silver Creek High School in his native Indiana during the 1960's, and then as the founder of the Ceramics program at the University of Louisville's Hite Institute for Art, where he taught until his death, in 1991. It is also said, by those who loved and admired him the most, that he was demanding. Surely this is a requisite quality for any worthwhile mentor, and, from all accounts, Marsh set expectations as high for his own work as he did for anyone else, and the program he developed for U of L was unorthodox, moving beyond traditional studio parameters. Certainly experience has taught us that innovation often translates for some as ‘difficult'. Marsh was raised by missionaries, and studied painting with Mary Spencer Nay at the University of Louisville. A missionary trip took him to Mashiko, Japan, where he ended up staying for several years, studying pottery with Sakuma Totaro (1900-1976), and learning various strands of Buddhism, most notably Rinzai. Once he returned to the U.S. he eventually resettled in Borden, Indiana, living his later years in adherence to ethical and spiritual practices born of his time in Japan, building an aesthetically spare house in the secluded woods that featured multi-functional space - the bed was raised on pulleys to make room for working. stoneware pottery Dimensions: 15"H.
• COLLECTION OF 52 VINTAGE MOVIE
  COLLECTION OF 52 VINTAGE MOVIE STILLS AND GLAMOUR PHOTO...Tierney, Gene. Collection of 52 Vintage Movie Stills and Glamour Photographs. Depicting Tierney in glamour shots and movie stills including "Where the Sidewalk Ends," "That Wonderful Urge," "Leave Her to Heaven," "Take Care of My Little Girl," "The Razor's Edge," and others. Includes bathing suit shots, and non-movie related images with her children. Generally 8 x 10". Very good.
• Seven Irene Lentz-Gibbons fashion
  Seven Irene Lentz-Gibbons fashion designs for 1940's films drawn by Virginia Fisher. The fashion prints depict vintage Irene Lentz-Gibbons dress designs for Hollywood MGM movies drawn by Virginia Fisher. All pencil signed and numbered in lower margin. Each costume is identified with names of films and actors/actresses, some with hand touching. Multiple signatures and studio executive initialing on each print. Each lithograph carries a certificate of authenticity. Property of the original owner/producer. 20" x 13 1/2". Good condition.
• Seven Irene Lentz-Gibbons fashion
  Seven Irene Lentz-Gibbons fashion designs for 1940's films drawn by Virginia Fisher. The fashion prints depict vintage Irene Lentz-Gibbons dress designs for Hollywood MGM movies drawn by Virginia Fisher. All pencil signed and numbered in lower margin. Each costume is identified with names of films and actors/actresses, some with hand touching. Multiple signatures and studio executive initialing on each print. Each lithograph carries a certificate of authenticity. Property of the original owner/producer. 20" x 13 1/2". Good condition.